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Comic Fans and Convergence Culture: Community of Readers in The Master of Kung Fu

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Comic Fans and Convergence Culture: Community of Readers in The Master of Kung Fu

Published Date

2009

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Harlot of the Arts

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Article

Abstract

As a member of several fan cultures, I have an interest in the processes that fan audiences use to construct and reconstruct the texts they consume. Additionally, I think of the way (written, oral, and musical) texts construct the individuals who constitute their audiences. Examining Master of Kung Fu provided the perfect combination of these two interests. —David My fascination with representations of Asians in the media began with The Destroyer book series that I read as a teen. While the character Remo at first resisted his fate, he quickly embraced his identity as the next Master of Sinanju. As a Vietnamese American growing up in a small Midwestern town, I have slowly come to my identity as an Asian American. I owe a lot of that to my current life as a Ph.D. student. My research has centered around cultural identity and representations in comics, children's literature, and Asian American magazines. These have fueled my desire to learn more about my own identity. —Kate

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Harlot 2 (2009)

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Beard, David; Vo Thi-Beard, Kate. (2009). Comic Fans and Convergence Culture: Community of Readers in The Master of Kung Fu. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/184273.

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