The rise of the small: meaning, metaphysics, and the microscope
2014-02
Loading...
View/Download File
Persistent link to this item
Statistics
View StatisticsJournal Title
Journal ISSN
Volume Title
Title
The rise of the small: meaning, metaphysics, and the microscope
Alternative title
Authors
Published Date
2014-02
Publisher
Type
Thesis or Dissertation
Abstract
From public reminders to sanitize drinking water to philosophical speculation on the sublime, this study documents how microscopical science appears in a wide range of cultural and intellectual concerns. Interweaving a genealogy of microscopy with readings of literary texts, I show how the microscope embodies certain epistemological formulations that disclose original literary and philosophical networks. Through readings of Ralph Waldo Emerson, Charles Sanders Peirce, Herman Melville, and Emily Dickinson, along with diverse intertexts from philosophy, science, and literature, I expose the influence that microscopy had on nineteenth century American metaphysics, spirituality, fiction, and figuration. It explores, for example, questions of invisibility and faith in early American writers such as John Winthrop, Jr. and Cotton Mather, who believed that the microscope presented a divinely mandated opportunity to fully comprehend God's universe, and follows through with Emerson's later arguments that the instrument endorses a dangerous mechanistic ideology at odds with his spiritual sensibilities. It explains how Peirce viewed the microscope as a means through which to rescue philosophy from crude and untenable metaphysics, how Melville embraced the microscopical to enact a theory of symbolism, how Dickinson meditated on the spiritual dangers of "looking too closely," and how writers from numerous disciplines have all struggled to make sense of extended human vision. The study closes by discussing the model of "deep time" literary history, and questioning the status of the aesthetic detail when placed on the vast scale of a universe expanded by optical instruments. This cosmic vastness threatens to annihilate the significance of human intellectual pursuits, leading to a "scaling-up" that I argue is best addressed in existentialist terms. The microscope made available a novel means of imagining the infinite while revealing the limits of natural perception, expanding assumed scales of understanding, and challenging inherently prejudiced biological categories and social stratifications. This work demonstrates how the microscope came to be, the polemics it provoked, the ideas it preserves, and the role it played in the formations of nineteenth century philosophy, science, fiction, and poetry.
Description
University of Minnesota Ph.D. dissertation. February 2014. Major: English. Advisor: Jani Scandura. 1 computer file (PDF); xiv, 305 pages.
Related to
Replaces
License
Collections
Series/Report Number
Funding information
Isbn identifier
Doi identifier
Previously Published Citation
Other identifiers
Suggested citation
Mikos, Keith Michael. (2014). The rise of the small: meaning, metaphysics, and the microscope. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/163014.
Content distributed via the University Digital Conservancy may be subject to additional license and use restrictions applied by the depositor. By using these files, users agree to the Terms of Use. Materials in the UDC may contain content that is disturbing and/or harmful. For more information, please see our statement on harmful content in digital repositories.