Reimagining history: melodrama, nationalism, trauma, and catharsis in three South Korean historical films

Abstract

This thesis explores how three contemporary South Korean historical films, The Admiral: Roaring Currents, War of the Arrows, and The Fortress, serve as vehicles for catharsis and reflection on collective trauma. Melodrama is not just a narrative style but as a mode of analysis, and will be used to unpack how these films construct nationalist narratives, evoke catharsis, and shape collective memory and national identity. Through analysis of key scenes and narrative structures, this thesis will demonstrate how these films engage modern audiences by presenting fictional or fictionalized historical stories with themes of resilience, sacrifice, and national identity. By examining the emotional dynamics and cinematic techniques employed in these films, this thesis explores the ways in which the three films evoke empathy and solidarity, ultimately offering viewers a cathartic experience that resonates with broader cultural and historical narratives.These films focus on pivotal moments in Korean history such as the Imjin War and the Second Qing Invasion of Joseon. Through a detailed analysis, it will become apparent how these films create a cinematic representation of national identity, inviting audiences to connect with the trials and triumphs of the characters and historical figures on screen. Furthermore, this thesis delves into the concept of collective trauma and its portrayal in these films. By examining the intersection of collective memory, history, and melodrama, this thesis seeks to shed light on how these films create a collective memory of the past, offering a form of cathartic release for viewers grappling with colonial legacies and historical injustices. The main argument of this thesis is that these three historical films serve as a form of rewriting history, shaping memory and identity in South Korea by engaging with and creating a cinematic national identity that resonates with audiences.