Browsing by Subject "design thinking"

Now showing 1 - 5 of 5
  • Thumbnail Image
    Item
    Aesthetics of Produce: A systemic and design-based approach to reducing food waste
    (2022-12) Hwang, SunMin
    The invention of the baby carrot is an exemplary case that illustrates the power of design for solving a major problem with food waste. In the early 1990s, a farmer from California, Mike Yurosek, came up with the idea of machining leftover carrots to produce a new miniaturized form of carrot. This not only reduced the amount of unsellable carrots to be discarded, but it also created a whole new vegetable commodity market that is widely popular among kids and adults alike (Elizabeth Weise, 2004). This thesis is based on the strong belief that design thinking can bring about positive changes to food systems to remediate unnecessary food waste problems. Since the industrial revolution, we have been living in a world that has been designed for mass production and consumption. This ideology of “the more, the better” in industrial production and consumption has increased food wastefulness (Barber, 2014). As a result, a third of all food, equivalent to 1.3 billion tons, is lost or wasted each year globally, and in the U.S. alone, up to 40% of food supply, equivalent to 40 million tons of food, is estimated to be uneaten (Gunders, 2017). While food loss occurs at various stages of the food chain, consumers and retailers are mainly accountable for food waste in the US and other higher income countries. One of the major reasons identified by farmers and food organizations is the “imperfect” appearance of natural products (e.g., produce & fruits). Although they are perfectly edible, we, as consumers, tend to shy away from aesthetically displeasing looks of produce. To prevent this biased perception from creating more food loss and food waste in the future, it is crucial that we understand the specificity of consumer perception, and behavior associated with aesthetic factors of food. This research examines aesthetic principles of produce from the consumer’s perspective and provides the potential for seeking and applying design thinking to the problem of food being discarded due to cosmetic reasons. Existing literature on food aesthetics, psychology and perception-based studies demonstrate how visual aspects of food can have a significant impact on consumers’ perceptions. A myriad of studies uncovered the relationship between cosmetically imperfect produce and consumers’ preferences. Over the past decade, a growing number of studies began investigating effective strategies to combat food waste due to cosmetic imperfection (e.g., anthropomorphism, price reduction, graphic signage/linguistic solution). Yet none have explicated on the wide breadth of aesthetic standards and definitions for produce and their relationship to consumer needs, willingness-to-pay and purchase behavior. The lack of these understandings have caused delays in remediating food waste due to aesthetics reasons. This work uses mixed method research design and consists of three parts: 1) The first study captures the breadth of consumer perception on two produce types with varying aesthetic ranges. In this step, aesthetic attributes that have the most impact on consumers are identified. 2) The second study investigates the relationship between willingness-to-pay and average aesthetic ratings for three different types of produce. 3) The last study tests consumers’ market behavior in relation to the consumers’ willingness-to-pay. In all three studies, intended functionality of the produce was also examined. Results from the three studies demonstrated that consumers perceive produce aesthetics from a more functional perspective. The first study revealed surface imperfections to have the most impact on consumer perception for tuber type produce. The second study demonstrated that the rate of depreciation for consumers’ willingness to pay for cosmetically imperfect produce is consistently lower than the rate of reduction in average aesthetic rating. In the last study, the majority of the participants were not willing to trade their regular looking potatoes for the cosmetically imperfect produce for a small monetary value. This research illuminates our true needs regarding produce aesthetics, which is not one that is driven by the force of the industry, outdated policy & guidelines, or our biological instinct. The implications of this research can be summarized in three parts: 1) Produce aesthetics can be re-defined from the functional perspective. For example, a perfect tuber crop could be described by the least amount of surface imperfections that would allow a person to peel the surface more easily. 2) A redirection of consumer needs is suggested for food sellers, marketers, and designers. They can distinguish their strategies for the cosmetically imperfect produce by developing separate venues and locations, which helps consumers draw more attention to their intended purposes. 3) Revision of policies and guidelines for filtering produce is strongly advised to accommodate more practical and more modern consumer needs. For example, inspection criteria that are not directly related to edibility and the safety of produce should be eliminated as it is detrimental in creating a flawed perception to the consumers. In conclusion, stakeholders and designers in the food industry should work in tandem to reformulate our flawed perception to cosmetically imperfect produce by making a wider range of aesthetic diversity acceptable to consumers. Ultimately, consumers should perceive what they know as “ugly” now, as “normal” in the future. This would allow us to build a more sustainable environment for future generations.
  • Thumbnail Image
    Item
    Design Thinking: Using Creativity and Collaboration to Transform Public Relations
    (2018-12) Hayes, Nora
    Public relations practitioners, like designers, toggle back and forth between seemingly different modes of operation: logic and creativity, specific and universal, human and non-human, time-bound and timeless. Both professions are driven by curiosity and the need to shape and change our worlds. Yet the processes at the heart of public relations have focused too narrowly on business imperatives and lost sight of the broader human dimension that fuels stories and provides meaning. Design thinking can provide a tool to help public relations reframe its role as a strategic creative driver.
  • Thumbnail Image
    Item
    Humanizing Information Design: A Model
    (2014-02-17) Sattler, Maggie
    This thesis is concerned with the process of information design. It builds upon an argument by UCLA professor Johanna Drucker for a humanistic approach to graphic expression (rather than a graphic approach to human expression, which is characteristic of contemporary examples of information design). This project explores two case studies, one that models design thinking and one that inquires into the nature of expression, and channels lessons learned from those experiences into the creation of a Model of Humanized Information Design Thinking.
  • Thumbnail Image
    Item
    Igniting the Inbetween: A Creative Design Process from Discovery to Celebration
    (2014-06-06) Penfield, Lucy
    During times of change, we float between the known and unknown, comfort and discomfort, certainty and uncertainty. This transformative time represents a gray area—an inbetween—that we must navigate through in order to jump start our imagination and creative discovery. For my final project I installed an exhibition of photographs, objects, and a “Discovery Room” to illustrate a 6-Step Creative Design Process—a fusion of Systems Thinking, Integrative Thinking, and Design Thinking—useful to designers, artists and anybody solving a problem or facing a design challenge. Design your creative journey and change your story.
  • Thumbnail Image
    Item
    Redesigning Individual Wellness Potential and Behavior in American Culture
    (2016-12) Davis, Sarah
    In America, the concept of wellness can be observed and interpreted in various ways, producing a “disconnect” between intentions and commitment to action. This thesis uses a Whole Systems Thinking Approach to explore the reasons behind the disconnect by deconstructing individual wellness potential as a system. Design thinking will then be used to reconstruct parts of that system in order to reduce or avoid the disconnect. Systems thinking helps us understand the connections between parts in a system and how they work together. Design thinking creates an opportunity to embrace self-awareness and aids in selecting elements for the feedback loops needed to strengthen our potential for wellness.