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Browsing by Author "Keating, Lindsay"

Now showing 1 - 4 of 4
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    Exhibit Catalog for, "SEM, GiGi, and Caricature," February 3 - April 19, 2015
    (2015) Boudewyns, Deborah K. Ultan; Keating, Lindsay; Otten, Nikki
    The exhibition, "Sem, GiGi, and caricature," celebrates the new thirty-foot long acquisition, "Sem au Bois," accompanied by other special collection materials contextualizing caricature during la Belle Epoque in France, and as expressed in the comedic novella, "GiGi," written by the French author Colette. On display are late 19th and early 20th century illustrated journals, books, prints, and newspapers from the University of Minnesota Special Collections, in particular, the Francis V. Gorman Rare Art Book Collection.
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    Exhibit Poster for, "Labor in the Eyes of Artists: Zines, Scenes and Inbetweens," April 1 - July 18, 2014
    (2014-04) Ultan, Deborah; Keating, Lindsay
    The exhibit highlights artist zines, posters, and other forms of aesthetically derived text/image formats to explore issues of social justice as a means to promote social change. The materials on exhibit are from the Francis V. Gorman Collection of Rare Art Books, the Social Welfare History Archives, and the University Libraries' Special Collections.
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    Postcard for, "Getting to Truths: An Exhibition Featuring Selections from the Marshall Weber Culture Wars Zine Collection: 1976-2013," September 17 - October 7, 2014
    (2014-09-17) Boudewyns, Deborah K. Ultan; Keating, Lindsay; Klug, Shannon
    Zines selected for the exhibit “Getting to Truths” represent production methods and formats to exemplify the bold and creative range of manifestations from raw xerox booklets to printed and bound zines. Ten categories organically surfaced from the collection of almost 500 zines, including art, music, comics, poetry & fiction, hobo & travel, political, feminism, environmentalism, humor, and personal. In many cases, zines are genre-blending and fit into multiple categories.
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    Seeing by Drawing: A Memorial Exhibition for Michael Plautz
    (2014) Boudewyns, Deborah K. Ultan; Plautz, Michael; Keating, Lindsay; Klug, Shannon
    The Art of Michael Plautz. Architects design buildings, of course, and Michael Plautz did that beautifully. But architects do something else: they see relationships and make connections that others overlook – and Michael Plautz did that beautifully as well, evident in the many paintings and drawings he created over his career. This work shows what intense, focused perception can produce and how art – like architecture – enables us to see relationships among things that might otherwise escape our eye. Through his art, Michael Plautz helped us view the world anew. His favorite medium – watercolor – also says something about how man architects think. Just as architecture consists of voids in the solids of a building, watercolor starts with the white space of the paper and builds the solids of the painting around it. Watercolor, like architecture, teaches us to see what isn’t there as much as what is, to recognize absence as well as presence. And once we grasp that paradox, so apparent in Michael Plautz’s work, we never see the world quite the same again. -Thomas Fisher College of Design