Browsing by Author "Hancher, Michael"

Now showing 1 - 8 of 8
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    Hunt's Awakening Conscience
    (Journal of Pre-Raphaelite Studies, 1995) Hancher, Michael
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    The Law of Signatures
    (Peter Lang Publishing, Inc., 1992) Hancher, Michael
    In criticizing J. L. Austin's theory of speech acts, Jacques Derrida and Jonathan Culler have argued, in part, that Austin misunderstands how signatures function. They claim that he ignores the essentially formal and "iterable" structure of a signature -- a structure that betrays the absence of any subjective consciousness on the part of the signer. I argue that their concept of iterability does not fully apply to this case. Rather, legal practice in England and the United States countenances a wide range of variation for signatures, variation that is consistent with and legitimized by Austinian assumptions about personal agency. The fact that the legal situation is somewhat different in France may explain the structure of Derrida's argument.
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    Re: Search and Close Reading
    (University of Minnesota Press, 2016) Hancher, Michael
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    Seeing and Tagging Things in Pictures
    (Representations (University of California Press), 2021-08) Hancher, Michael
    Despite modernist precepts, digital projects that use crowdsourcing to annotate large collections of images of paintings and book illustrations with “tags” have encouraged viewers to see things in pictures and to say what they see. Both personal image tagging (ekphrastic in function) and automatic image tagging challenge in different ways the proposition that a painting as such will elide recognizable content.
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    Sermons in Stones (editorial)
    (Minnesota Center for Advanced Studies in Language, Style, and Literary Theory, 1974) Hancher, Michael
    Discusses a poem by Robert Frost, "A Missive Missile," as dramatizing aspects of literary interpretation.
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    Speech Acts and the Law
    (Georgetown University Press, 1980) Hancher, Michael
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    Two- and Three-Dimensional Representations of Thomas Bewick Woodblocks
    (2019-04-03) Hancher, Michael; Luce, Donald T; McFadden, Colin; Porter, Samantha T; stporter@umn.edu; mh@umn.edu; Porter, Samantha T; Hancher, Michael; Department of English, University of Minnesota
    The Bell Museum at the University of Minnesota owns fouteen wood blocks that were engraved in the workshop of Thomas Bewick to illustrate his History of British Birds, 2 vols. (Newcastle, 1797, 1804), as well as a block for a tail piece printed in The Fables of Aesop (Newcastle, 1818). This data set includes representations of these blocks captured using four digitization methods. 3D models were produced using structured light scanning and photogrammetry. Next, we used reflectance transformation imaging (RTI) to create interactive visualizations of the blocks' surfaces under variable lighting conditions. Finally, a high resolution two-dimensional image was generated for each block using a GIGAmacro device.