Patel, Soham2020-09-222020-09-222020-07https://hdl.handle.net/11299/216352University of Minnesota Ph.D. dissertation. July 2020. Major: American Studies. Advisors: Jigna Desai, Elliott Powell. 1 computer file (PDF); vi, 175 pages.My dissertation draws on cultural and political theory as well as visual arts, literature, and music to examine how Western empire is constructed through Orientalist knowledge and also contested through decolonial, feminist, and anti-racist aesthetics. “Terrorist Threats” relies on a multidimensional approach to studying the Global War on Terror and its attendant figure targeted for death and destruction: the Muslim. Following the scholarship of Sherene H. Razack, Sohail Daulatzai, and Junaid Rana, I examine how the colonial construction of the Muslim as a racialized object within modernity, in particular, has been deployed to taxonomically classify a broad range of intersectional categories: Black, Brown, indigenous, immigrant, Latinx, Arab, Sikh, Hindu, and Islam. That is, the “Muslim” in the context of white supremacy and global imperialism exceeds the rigidity of a faith-based category. In fact, my project contends that the figure of the Muslim becomes a fungible category to signify a racialized object that philosophically and/or phenotypically embodies a political position other than liberal secular humanism. Thus, throughout my project, I explore how several South Asian and Muslim diasporic artists engage in insurgent cultural production to combat white supremacy. This allows me to interrogate how colonial knowledge, on the one hand, propagates anti-Muslim racism and, on the other hand, disciplines, controls, and compels the diaspora to internalize this knowledge as a way to perform the role of the good/desirable immigrant. Throughout “Terrorist Threats,” I highlight how South Asian and Muslim diasporic artists rethink and reshape Orientalist knowledge production and the role of Western secular ideas of self-determination, sovereignty, citizenship, and the Human within colonial modernity. The analysis offers a praxis of reading, seeing, and listening to visual and sonic archives that articulate decolonial knowledge and aesthetics, which becomes what I call “terrorist threats.” My project’s transnational focus seeks to produce decolonial imaginaries whereby different political solidarities and praxes can be forged — beyond and across geopolitical and biopolitical borders.enDecolonialityEmpireRaceSurveillanceTerrorWarThesis or Dissertation