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An Archaeology of Digital Aesthetics: Musical Sampling in Rodrigo Fresán’s "Señales captadas en el corazón de una fiesta"
Brown, J. Andrew (Hispanic Issues Series, 2012)
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https://hdl.handle.net/11299/182963
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Title
An Archaeology of Digital Aesthetics: Musical Sampling in Rodrigo Fresán’s "Señales captadas en el corazón de una fiesta"
Other titles
Hybrid Storyspaces: Redefining the Critical Enterprise in Twenty-First Century Hispanic Literature. Part 3: Remixing and Recycling Narrative Bits and Bytes. 11: An Archaeology of Digital Aesthetics: Musical Sampling in Rodrigo Fresán’s "Señales captadas en el corazón de una fiesta"
Authors
Issue Date
2012
Publisher
Hispanic Issues Series
Type
Article
Appears in collections
Hispanic Issues On Line (HIOL): Volume 09 (Spring 2012): Hybrid Storyspaces: Redefining the Critical Enterprise in Twenty-First Century Hispanic Literature [17]
Identifiers
issn: 1931-8006
Description
Hybrid Storyspaces: Redefining the Critical Enterprise in Twenty-First Century Hispanic Literature. Editors: Christine Henseler, Debra A. Castillo. Hispanic Issues On Line, Volume 9 (Spring 2012). 1 online resource (PDF, page 178-191)
Suggested Citation
Brown, J. Andrew. (2012). An Archaeology of Digital Aesthetics: Musical Sampling in Rodrigo Fresán’s "Señales captadas en el corazón de una fiesta". Hispanic Issues Series. Retrieved from the University of Minnesota Digital Conservancy, https://hdl.handle.net/11299/182963.
Content distributed via the University of Minnesota's Digital Conservancy may be subject to additional license and use restrictions applied by the depositor.